Outline
In this paper I will attempt to define wherefore the Anglo-Irish appe ared to have such ambivalence towards the changes going on in the country around them. I will try to direct that they did this out of fear; out of fear of themselves and of bre similarg aside from the past, a past in which they perceived that their only hostage could come from. I will do this by utilize Bowens avow analogy of the Big-House, a very real throw of the Irish landscape even to this day, and by an exploration of her own attitudes as they relate so closely to Lois, the protagonist of the novel.
Introduction
The lam of Elizabeth Bowen is not so much a critique of the problems of the Anglo-Irish at the beginning of the twentieth century, but is rather an embodiment of them. Bowen herself grew up in this community and her novel the last September is imbued, through with(predicate) her own personality, with these attitudes and personas. The protagonist of the novel, Lois Farquar, is similar to the characteristics Bowen saw in herself; her isolation, the inevitable truth of not belonging and the wish to escape is akin to Bowens experience in growing up in phellem at the time of the troubles. The house is the key to the paradox and contradictions by which they spent their last days.
Lois is not a direct descending(prenominal) of the house, as an orphaned niece she is even further marginalized from everyone. The house is a place that offers her and her adopted family protection, security and status but in this period these three assets suddenly revert to become their liabilities. The Anglo-Irish are neither totally Irish or English, and they are thereof mistrusted by the both sides of the divide and their old sensibilities come...
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