Sexuality In Bram Stoker's Dracula

Sexuality in Bram firefighters Dracula         Bram Stokers Dracula, favorably received by critics upon publication in 1897, entertained its Victorian audience with inexpressible horrors such as vampires invading bedrooms to prey on pretty-pretty maidens under the guise of night. The novels eroticism proved even to a greater extent unspeakable. Received in the era of repression, it remains questionable whether Draculas readership perceive the cozyity flowing from the page. An advocate for the censorship of informal material, Stoker himself may have been unconscious of his own novels sexual qualities. mayhap if he knew of the Dracula criticism written in the croak thirty years, he would turn in his grave from personal horror.

        Since the 1970s, with its conglomerate of feminist critics reveling in the sexual revolution, Freudian psychoanalysts, and fringy sex groups, Draculas sexuality continues as an issue of great debate, attracting more attention from its centennial anniversary in 1997. much titillating than the novel itself, numerous sexual interpretations exist from key scenes in Dracula: the trio of female vampires attacking Jonathan, Lucys vampiric transformation and attendant staking, and Minas forced drinking of Draculas blood. Critics debate whether these crucial scenes reveal mens fear of female sexuality, the dualism of Victorian sexuality, the threat of foreign sexuality, Oedipal fantasies, sexual repression, Bram Stokers sexuality, and homosexuality. The list of sexual topics is endless.

        The popularity of Freuds theories of sexuality makes Freudian analyses of Draculas sexuality approximately impossible to avoid. Even feminist critics who resent Freuds misogyny, find his sexual observations difficult to ignore, especially in regard to Draculas sexual content. The accompaniment that Stoker and Freud are contemporaries writing at the selfsame(prenominal) time legitimizes the critical use of Freuds psychoanalysis to explore Stokers novel. More importantly, critics can easily apply with little work Freuds theories to Draculas miscellanea of sexually repressed characters, aggressively sexual...

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