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Thursday, October 31, 2013

Dont Have One

dont have one Monets white plague of pretext along with use of intricate lave strokes and composition is break throughstanding. The vast variations of brush strokes and color placement techniques are what make his work so erratic and individual. Grand Canal, Venice, 1908 is a prime example of Monets talents in these areas. The twist of the photograph is very loose. There are fewer hard-fought lines in the composition that represents solid structure. The curves in confederation with the dark glasses of color as well as timid recitation give the piece a mirage-like effect. It is well-heeled to imagine Monets vantage point while he was painting the picture by the way the composition is set up.
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star can identify he was looking towards the buildings on the other side of weewee because its obvious that the building are existence reflected as well as the wooden poles sticking out of the water. It is quite limpid that Monet is observing a sunset and that he is painting chop-chop to capture the full effect of light during this short...If you want to take on a full essay, ramble it on our website: OrderCustomPaper.com

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