The Wizard of Oz: An Allegory on Populism

?And my head I would be scratchin? while my thoughts were busy hatchin?, if I only had a fountainhead??Anyone with a brain deal see that L. Frank Baum?s The Wizard of Oz is a impeccable theatrical masterpiece, but it doesn?t take much head-scratching to sink that it can be use as a emblem on populism as well. Its extended characters, like Dorothy, the bird-scarer, the Tin Man, the yellowish Lion, the witches, and even the monkeys and munchkins, and it?s satirical metaphors, such as the skipper silver shoes, the yellow brick road, and Oz itself restore it hard to believe that Baum?s work was intended for the sheer entertainment of children. The four whopping characters, Dorothy, the Tin Man, the Scarecrow, and the Lion fancy four of the most all-important(a) people or groups of the time. Dorothy, a simple farm lady friend who just asks to go home, is expound by Littlefield as ? build by Everyman?, and represents the plucky naiveness of the American people. She is ??small and soft?, and notwithstanding it is she that leads the others to seek their desires.

Her agency is similar to the role of our agricultural at the time; our witness conflicts (the Civil War and the involution westward) caused us to better our standards (the onward motion of technology in warships and weapons), thus move us on display for the world, and making others (like Britain, France, etc.) neediness to amend as well. Although Dorothy represents the naivety of the world, the Scarecrow is naïve in actuality. An word-painting of the American farmer, the Scarecrow is less inferior and in incident more skilful and shrewd than the rest of the bunch. A precede quote from the movie, ?They coiffure from miles around to eat my solid food and I can?t even scare you away??, shows that... If you want to get a full essay, order it on our website: Ordercustompaper.com

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