The character of the Duke is portrayed by Shakespe ar as a really complex, hypocritical and contradictory character. To many critics, he is conveyed as a Machiavellian Prince, using others for his own political ends, and to some critics, a God-like figure, testing the pathology of power in Vienna. Despite these two frozen opposites the character is nethertheless a character of ambivalence. Contradiction is one of the primary(prenominal) themes of the play, as is appearance versus reality, law versus grace and justice versus mercy. The Duke neer lets go of the puppet strings, pulling events and manipulating other characters in the play. Vincentios motives for influencing the events are controversial; it has been argued that the Duke enjoys watching others fall, and alike uses others to do his dirty work for him. He has also been called a moral coward, and this essay allow examine his incompatible personas in hallow to find out how Shakespeare conveys the complexity of the Duke by his language choices.
Firstly, the character of the Duke can be divided into ternary different personas; the public duke, the politician; the Friar Lodowick, and the snobbish Duke. The private Duke appears to the audience in Act one, scene one, when he seems tentative, in his convoluted language, abdicating his power to Angelo.
This captious vocabulary pertaining to the legal conversation is used to assert the Dukes position of authority and office when he asks Escalus of Angelo what figure of us think you he testament impart? The use of the word bear shows the audience that he recognises the responsibilities of being the ruler, and Angelo will have to endure these responsibilities for Vincentio. The use of the word figure shows us that the Duke whitethorn also be disconcerted by the possibility that Angelo will discredit the judiciary.
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