Alexander Pope's "The Rape of the Lock" is an outstanding example of the neoclassic genre of mock epic.

Alexander Popes The Rape of the cast out is an outstanding example of the neoclassic musical style of mock epic. Pope uses the mock epic to satirize the trivia of

18th-century high society through exaggeration and parody. Basing his numbers on an actual incident that occurred among some of his acquaintances, Pope intended his figment to put the episode into humorous perspective and encourage his friends to laugh at their own actions.

A mock epic is a poem dealing with petty subject matter in the reverend style of the great literary epics. This genre is a wee of parody for satirical purposes. The poem uses the vain story of the stolen betroth of hair as a vehicle for making judgments on society and on men and women in general. Characteristics of the ILLIAD and the ODYSSEY that the Rape of the Lock mocks include: the statement of the theme, invocation of the theorize, description of the great battles, weird beings taking part in the affairs of men and the hit man becoming immortalized in a star or shape (Long, Pope 1).

In the opening lines What dire offense from amorous causes springs, / What nobleman contests rise from trivial things (Canto I, lines 1-2), Pope states the theme of the poem: that trivial matters should remain just that- trivial.



In the lines following the

invocation of an unlikely muse is clearly stated I sing- This Verse to Caryll, Muse! Is out-of-pocket (Canto 1, 3).

The entire poem is divided into five cantos and is written in rarified couplet verse. The use of the heroic couplet is typically neoclassic because it exhibits the ideals of the time. In high society to write a heroic couplet the author must have complete watch over his words and the story he wants to tell. A unfluctuating sense of...

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